Renowned photographer and documentary lmmaker Timothy Green eld-Sanders has made a ca- reer out of probing identity through portraiture, photographing cultural icons, world leaders, and ve U.S. presidents. Over the last decade, Green eld-Sanders has been at work on The List series, an interlinked portfolio of extraordinary, large-scale portraits that explore race, gender, class, sexuality and ethnicity. And for the rst time ever, Green eld-Sanders’s full portfolio of List photographs are on display together, in a new exhibit at the Annenberg Space for Photography.

The roots of the project sprang from a conversation Green eld-Sanders had with Toni Morrison ten years ago. He had just photographed the Nobel Laureate for Margaret Garner, an opera for which Morrison had written the libretto, and the two were discussing “the extraordinary number of black divas” who had auditioned for the opera’s production.

“‘Timothy,” she said, “You should shoot portraits of black divas for a book. I’ll write the text.”

In 2008, Green eld-Sanders completed his rst volume of The Black List, a series of large-format portraits and a 90-minute HBO documentary featuring twenty- ve prominent African-Americans of various professions, disciplines and backgrounds, including Colin Powell, Chris Rock, Serena Wil- liams, Kareem Abdul-Jabbar, and, of course, Toni Morrison. The photographs were later shown at the National Portrait Gallery at the Smithsonian (an experience that Green eld-Sanders described to LAist as “a highlight of my life”).

The Black List became The List series, with Green eld-Sanders going on to create the The Latino List, The Women’s List, The Out List, and, now, The Trans List—an interlinked collection that spans 151 interviews and photography portraits, eight documentaries, four books, thirteen solo museum exhibitions, two museum catalogs and an educational initiative reaching countless schools and universities.

In IDENTITY: Timothy Green eld-Sanders The List Portraits —an exhibit that opened Saturday at the Annenberg Space for Photography—Green eld-Sanders’s varied List portraits can, for the very rst time, be seen as a whole. The Annenberg show also marks the premiere of The Trans List, a collec- tion of 40 portraits of members of the transgender community.

“I’ve always wanted to connect [the different List series], but museums tend to show one group. At least that’s how it has been done in the past,” Green eld-Sanders told LAist. The Annenberg show offers something different, a broader context where, as Green eld-SandersW put it, “one plus one equals three.”

“There’s something about the volume of this and the accomplishment of all the ten years of work that would be revealing and rewarding for me, as well as the viewer,” he said. He works with an 8-by- 10 camera and shoots very few exposures. “A typical session with me is anywhere from four to eight frames, and that’s it,” he told LAist. “I’m very conscious from the moment someone walks in the door of how they’re feeling. I’m very tuned into that—I think that ability to make people comfortable, you can see that in the portraits, and in the lms.”

“I think we were surprised,” Green eld-Sanders told LAist, when asked if he’d expected the debut of The Trans List to coincide with a cultural sea change, with issues regarding the transgender commu- nity suddenly in the forefront of the national discussion.

“Two years ago, they weren’t. They were in the margins,” he said. “As events developed—as Caitlin [Jenner] came out and became such a monumental moment in trans awareness, other stories start- ed to appear. I think you could say that we are very lucky, that we have this lm and this show out at the perfect moment.”

“Well,” he added, “The Black List came out as Obama was nominated president, and The Out List aired on HBO as the Supreme Court made its decision on marriage equality. I’ve always sort of felt that I had a good sense of the zeitgeist.”

And to Green eld-Sanders, the timing of the current exhibit is also fortuitous. “When you have an exhibition in a museum about women, black, Latino, gay, and trans people at a time when these groups are being as marginalized and villainized as possible by the right wing and ultra right, it’s important to show them in a museum, and to show their tremendous accomplishment, struggle and achievement,” he said.

“IDENTITY: Timothy Green eld-Sanders The List Portraits” will be on view from September 24, 2016 through February 26, 2017 at the Annenberg Space for Photography. The Annenberg Space for Pho- tography is located at 2000 Avenue of the Stars in Century City.Â