Timothy Greenfield-Sanders' portraits are in the collections of The Museum of Modern Art, The Metropolitan Museum, The Whitney Museum and The National Portrait Gallery among others. In 2004, seven hundred of his art world portraits were accepted into the permanent collections of The Museum of Modern Art and the Museum of Fine Arts, Houston.

He is a contributing photographer at "Vanity Fair" magazine.A number of books on Greenfield-Sanders' work have been published: "Art World"(Fotofolio), "Timothy Greenfield-Sanders" his first monograph, (Alberico Cetti Serbelloni Editori), "XXX: 30 Porn-Star Portraits" (Bulfinch Press) "Face to Face" (Skira), "Look: Portraits Backstage at Olympus Fashion Week" (Powerhouse) and "The Black List" (Atria of Simon and Schuster).

Greenfield-Sanders produced and directed five films. His first, "Lou Reed: Rock and Roll Heart", was a feature documentary about the legendary rock musician. The film aired in April 1998 on the PBS Series American Masters and premiered in the United States at Sundance Film Festival and in Europe at The Berlin Film Festival. "Lou Reed: Rock and Roll Heart" screened at over 50 film festivals worldwide.

It won a 1998 Grammy Award.Greenfield-Sanders' documentary

"Thinking XXX", a film about the making of the XXX book, first aired in October 2004 on HBO. A CD of the soundtrack of "Thinking XXX" was released in November 2004 by Ryko Records.

In addition, in October 2004, the XXX portraits were exhibited in New York at the Mary Boone Gallery. Subsequently, the work travelled to numerous galleries including John Berggruen Gallery in San Francisco, Bernd Kluser Gallery in Munich, Berman/Turner Projects in Los Angeles, Paolo Curti Gallery in Milan and Howard Russeck Gallery in Palm Beach.In 2006,

Greenfield-Sanders photographed injured soldiers and marines for HBO's film, "Alive Day Memories". The images were published worldwide, shown in numerous exhibitions and purchased by The Library of Congress.

Greenfield-Sanders' latest project, in collaboration with journalist Elvis Mitchell and Freemind Ventures is "The Black List"; a film for HBO, a traveling museum exhibition of portraits organized by the Museum of Fine Arts, Houston and a book with Simon and Schuster's Atria. In addition, the project includes an educational outreach program in conjunction with The United Negro College Fund.

Timothy Greenfield-Sanders was born in Florida. He received a B.A. in Art History from Columbia University and his Master's Degree in film from the American Film Institute in Los Angeles.

Commercial agent: Stockland Martel: 212-727-1400
http://www.stocklandmartel.com

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RECENT TV APPEARANCES

2009: Bravo TV, "Make Me A Supermodel" View Here
2007: Ovation TV, "Close Up: Photographers at Work View Here
2007: ABNews TV, Italy, View here.
2007: Red Cross, View here.
2005: 60 Minutes. View here.

ARTICLES & REVIEWS: MUSEUM / GALLERY EXHIBITIONS: 1981 - PRESENT

Marzorati, Gerald, “Fifties Revival”, SOHO NEWS, 23 March 1981.
Kramer, Hilton, “50’s Artists in the 80’s”, THE NEW YORK TIMES, 27 March 1981.
Westerbeck, Colin L., “Timothy Greenfield-Sanders: Marcuse Pfeifer Gallery”, ARTFORUM, June 1981, p. 93.
Butler, Hiram, “De Kooning and Friends: Downtown in the Fifties”, HORIZON, June 1981, pp. 15-29.
Kohen, Helen, “New York Schoolmates Pose for Family Album”, MIAMI HERALD, 28 February 1982.
Schwalberg, Robert, “The Club: Photographs by Timothy Greenfield-Sanders”, CAMERA ARTS, March/April 1982, pp. 62-73.
Fribourgh, Cindy, “Exhibition Features Faces of Avant-garde Artists”, ARKANSAS DEMOCRAT, 2 May 1982.
Ashton, Dore, “Gallery”, AVENUE, November 1982, pp. 93-99. Anderson, Alexandra, “Critical Mass”, PORTFOLIO, November/December 1982, p. 15.
Brenson, Michael, “Art People: 40 Critics Face the Camera”, THE NEW YORK TIMES, 17 December 1982.
Thornton, Gene, “Two Approaches to the Portrait Genre”, THE NEW YORK TIMES, 19 December 1982.
Zwingle, Erla, “New Faces 1983”, AMERICAN PHOTOGRAPHER, February 1983, pp. 56-57.
Hagan, Charles, “Timothy Greenfield-Sanders: Marcuse Pfeifer Gallery”, ARTFORUM, March 1983, p. 74.
Karmel, Pepe, “Timothy Greenfield-Sanders at Marcuse Pfeifer Gallery”, ART IN AMERICA, April 1983, p. 182.
Gambaccini, Peter, “Portraiture: Getting to the Top in Photography”, AMPHOTO, 1984, pp. 85-88.
Pincus-Witten, Robert, “The New Irascibles”, ARTS MAGAZINE, September 1985, pp. 102-110.
Irwin, Bill, “On the Avenue”, AVENUE, October 1985.
Mc Gill, Douglas C., “Art People”, THE NEW YORK TIMES, 4 October 1985.
Indiana, Gary, “Timothy Greenfield-Sanders”, THE VILLAGE VOICE, 8 October 1985.
Mc Darrah, Fred, “Timothy Greenfield-Sanders”, THE VILLAGE VOICE, 29 October 1985.
Bourdon, David, “Sitting Pretty”, VOGUE, November 1985, pp. 108, 116.
Russell, Anne M., “Timothy Greenfield-Sanders”, AMERICAN PHOTOGRAPHER, December 1985, p. 13.
Tanaka, Hiroko, “Timothy Greenfield-Sanders, The Club”, PHOTO JAPAN, December 1985, pp. 9, 18, 100-105.
Sturman, John, “Timothy Greenfield-Sanders: Marcuse Pfeifer”, ART NEWS, January 1986, pp. 133-134.
Pincus-Witten, Robert, “The Collectors”, ARTS MAGAZINE, February 1986, pp. 20-22.
Gordon, Jennifer, “Gracie Mansion”, WESTUFF, February 1986, pp. 20-21.
Raynor, Vivien, “Ten”, THE NEW YORK TIMES, 7 February 1986.
Raynor, Vivien, “Paint-Film”, THE NEW YORK TIMES, 24 July 1986.
Anderson, Laurel, “Public Exposures/Private Visions”, PHOTO DISTRICT NEWS, August 1986.
Bob, Paul, “Modern Classic”, CONNOISSEUR, April 1987, p. 166.
Russell, Anne M., “Inside Advertising”, AMERICAN PHOTOGRAPHER, April 1987, pp. 84-86.
Edelson, Sharon, “Fotog shoots artist for fashion’s sake”, ADVERTISING AGE, 6 April 1987, p. 43.
Russell, John, “Art World Photographs”, THE NEW YORK TIMES, 24 April 1987.
Edelson, Sharon, “Eye of the Beholder”, NEW YORK MAGAZINE, 27 April 1987, p. 36.
Aletti, Vincent, “Timothy Greenfield-Sanders”, THE VILLAGE VOICE, 12 May 1987.
Furstenberg, Mark, “Timothy Greenfield-Sanders at Marcuse Pfeifer Gallery”, DOWNTOWN, 13 May 1987.
Aletti, Vince, “Timothy Greenfield-Sanders”, THE VILLAGE VOICE, 30 June 1987.
Austin, Tom, “The portraits of Timothy Greenfield-Sanders”, MIAMI REVIEW, 10 July 1987, pp. 7-8.
Cox, Petey, “Artistic Homecoming”, MIAMI TODAY, 16 July 1987, p. 5.
Kohen, Helen, “Even critics are fair game for photographer”, MIAMI HERALD, 19 July 1987.
Mc Gill, Douglas C., “Art People”, THE NEW YORK TIMES, 24 July 1987.
Ahlander, Leslie Judd, “Timothy Greenfield-Sanders”, MIAMI NEWS, 31 July 1987.
Newhall, Edith, “Blow-ups”, NEW YORK MAGAZINE, 12 December 1988, p. 25.
Neugroschel, Joachim, “Polaroid Portraits”, DOWNTOWN, 25 January 1989, Cover, pp. 10-11.
Decter, Joshua, “New York Review”, ARTS MAGAZINE, March 1989, p. 95.
Raynor, Vivien, “Photos and Soviet Posters”, THE NEW YORK TIMES, 3 December 1989.
Aletti, Vincent, “Timothy Greenfield-Sanders”, THE VILLAGE VOICE, 20 December 1989.
Edelson, Sharon, “Flash Art”, WOMEN’S WEAR DAILY, 15 January 1991, p. 5.
Chiezo, Taro, “Facing up to the faces of art”, BIJUTSU TECHO, February 1991, pp. 167-173.
Pincus-Witten, Robert, “Timothy Greenfield-Sanders”, TEMA CELESTE, May/June 1991, pp. 67-69.
Kaplan, Michael, “Timothy Greenfield-Sanders”, AMERICAN PHOTO, November/December 1991, pp. 53-62, 126.
Tyson, Janet, “Cool Portraits of Hot Personalities”, FORT WORTH STAR-TELEGRAM, 7 December 1991.
Kutner, Janet, “Famous faces in stark spaces”, THE DALLAS MORNING NEWS, 26 December 1991.
Johnson, Lizabeth A., “Timothy Greenfield-Sanders”, VIEW CAMERA, March/ April 1992, pp. 16-24.
Raynor, Vivien, “Making Faces, Fun and Pedagogy at Hudson River Museum”, THE NEW YORK TIMES, 26 February 1995.
Halley, Peter, “Portraits by Timothy Greenfield-Sanders”, COLUMBIA COLLEGE TODAY, April 1996, pp. 24-27.
Wilms, Hildegard, “Timothy Greenfield-Sanders”, PHOTOGRAPHIE, April 1996, pp. 76-81.
Paparoni, Demetrio, “The Holy Fire of Identity”: CASTELVECCHI EDITORE, Conversazione con Timothy Greenfield-Sanders in “Il Corpo Parlante dell’Arte”, 1997, pp. 146-152.
Paparoni, Demetrio. “The Holy Fire of Identity.” TEMA CELESTE 65, October-December 1997, p 37,39, 99.
Halley, Peter, “Timothy Greenfield-Sanders”, TEMA CELESTE, March/April 1997, pp. 44-46.
Starn, Doug, and Mike Starn, “If I Were Nadar”, TEMA CELESTE, March/ April 1997, pp. 47-49.
Grimm, Leigh, “Digital to the Rescue”, STUDIO PHOTOGRAPHY & DESIGN, October 1998, pp. 26-29.
Simmons, Steve, “Timothy Greenfield-Sanders: 20 x 24 Polaroids for Hilfiger”, VIEW CAMERA, November/December 1998, pp. 18-20.
Krampe, Ingrid S., “Art Meets Technology”, PROFESSIONAL PHOTOGRAPHER STORYTELLERS, January 1999, pp. 36-39.
Stucker, Hal, “Bringing ‘People’ Together”, PDN’S PIX, February/March 1999, p. 16.
Columbia, David Patrick, “Timothy Greenfield-Sanders”, AVENUE, September 1999.
Nathan, Jean, “For 82 Artists, Immortality Is Worth Rising Early”, THE NEW YORK TIMES, 26 September 1999, p. ST2.
Kimmelman, Michael, “Art Club: Twenty Years of Superstars and Shooting Stars”, THE NEW YORK TIMES MAGAZINE, 24 October 1999, pp. 82-83.
Mason, Brook S., “Photography in New York”, THE ART NEWSPAPER, November 1999, p. 73.
Strand, Mark, “The Art World: Photographs by Timothy Greenfield-Sanders”, ART & AUCTION, 15 November 1999, pp. 70-73.
Reed, Lou, and Timothy Greenfield-Sanders, “Greenfield-Sanders”, TEMA CELESTE, October 1999, pp. 76-81.
Saltz, Jerry, “Collective-Memory Lane”, THE VILLAGE VOICE, 7 December 1999, p. 123.
Pollack, Barbara, “Timothy Greenfield-Sanders”, ART NEWS, February 2000, p. 163.
Leffingwell, Edward, “Timothy Greenfield-Sanders at Mary Boone”, ART IN AMERICA, May 2000, p. 164.
Landi, Ann, “Fab Faces”, ART NEWS, November 2001, p. 140.
Johnson, Richard, “Famed lensman tackles porn”, NEW YORK POST, 17 May 2003, p. 10.
Gussow, Mel, “Photographing Celebrities, Even Those of an X-Rated World”, THE NEW YORK TIMES, 29 July 2003, pp. E1, E5. (illus: “Jenna Jameson” (Nude), p. E1, C. “Robert Rauschenberg”, p. E1, C).
Gussow, Mel, “Putting a photo finish on a raw world”, HERALD TRIBUNE, 5 August 2003, p. 18. (illus: “Jenna Jameson” (Nude), p. 18, B/W).
Paparoni, Demetrio. “Not Ordinary People Epilogue” NOT ORDINARY PEOPLE, In Arco Books, 2003.
Vogel, Carol, “Inside Art: An Archive of Faces”, THE NEW YORK TIMES, 7 November 2003, p. E28.
Yablonsky, Linda, “How Far Can You Go?”, ART NEWS, January 2004, pp. 104-109.
Rush, George, and Joanna Molloy, “Lensman clicks with the lust generation”, DAILY NEWS, 5 August 2004, p. 32. (illus: “Jenna Jameson” (Nude), p. 32, B/W).
Wyatt, Edward, “Sex, Sex, Sex: Up Front In Bookstores Near You”, THE NEW YORK TIMES, 24 August 2004, pp. E1, E4.
Schechner, Sam, “Debbie Does MoMA?”, BLACK BOOK, September 2004, pp. 112-114. (illus: “Sean Michaels” (Clothed/Nude), p. 114, C. “Sunrise Adams” (Clothed/Nude), p. 114, C).
Rimanelli, David, “Double Exposure”, ARTFORUM, September 2004, pp. 21-22. (illus: “Jenna Jameson” (Clothed/Nude), p. 22, C. “Chad Hunt” (Clothed/Nude), p. 22, C).
Mock, Alethea, “XXX: 30 Porn Star Portraits: A Conversation with Timothy Greenfield-Sanders”, VIEW CAMERA, September 2004, pp. 16-22. (illus: “Jenna Jameson” (Clothed), Cover, C. “Chloe” (Clothed), p. 16, C. “Ron Jeremy” (Clothed), p. 18, C. “Sharon Mitchell” (Clothed), p. 19, C. “Lexington Steele” (Clothed), p. 20, C).
Edelson, Sharon, “Exposing the Exposed”, WOMEN’S WEAR DAILY, 11 September 2004, pp. 52-53. (illus: “Tera Patrick” (Clothed/Nude), p. 53, C).
Trebay, Guy, “What Fashion Owes to XXX”, THE NEW YORK TIMES, 12 September 2004, pp. ST1, ST14.
Mc Cormick, Carlo, “Behind the Greenfield Door”, PAPER, October 2004, p. 38.
Staff, “3 Questions for Timothy Greenfield-Sanders”, GOTHAM, October 2004, p. 12. (illus: “Lukas Ridgeston” (Clothed/Nude), p. 12, C).
Landi, Ann, “Porn Identity”, ART NEWS, October 2004, pp. 138-141. (illus: “Tawny Roberts” (Clothed/Nude), pp. 140-141, C).
Rachel, T. Cole, “Naked Glory”, NEXT, 1 October 2004, pp. 12-15. (illus: “Lukas Ridgeston” (Nude), Cover, C. “Jeremy Jordan and Jason Hawke” (Nude), p. 13, C. “Aiden Shaw” (Nude), p. 14, C. “Michael Lucas” (Clothed/Nude), p. 15, C).
Foley, Dylan, “Porno pixxx”, NEW YORK POST, 10 October 2004.
D’Addario, Darren, “Graphic Art”, TIME OUT NEW YORK, 14 October 2004, pp. 15-18. (illus: “Belladonna” (Nude), p. 15, C).
Paparoni, Demetrio, “XXX: Più star che porno”, PANORAMA (Milan), 28 October 2004, pp. 154-258. (illus: “Tera Patrick (Clothed/Nude), p. 254, C. “Belladonna” (Clothed/Nude), p. 255, C.
Amsden, David, “Subject: Tera Patrick”, NEW YORK MAGAZINE, 1 November 2004, p. 83. (illus: “Tera Patrick” (Clothed), p. 83, C).
Colman, David, “The Guy in the Invisible Man Suit”, THE NEW YORK TIMES, 7 November 2004, p. ST8.
Grace, Matthew, “The Transom: Porn Again”, THE NEW YORK OBSERVER, 8 November 2004, p. 3.
Tomkins, Calvin, “At The Galleries: Unzipped”, THE NEW YORKER, 22 November 2004, pp. 38-39.
Rowlands, Megan, “XXXpression of Art”, TIMES LEADER (Wilkes-Barre), 8 December 2004.
Gardner, James, “Art Attack: Timothy Greenfield-Sanders”, NEW YORK POST, 11 December 2004, p. 27.
Yabroff, Jennie, “Behind the Porn Door”, THE SAN FRANCISCO CHRONICLE, 16 January 2005.
Persivale, Matteo, “Libri, spot, gallerie d’arte “Sdoganate” le pornodive”, CORRIERE DELLA SERA, 24 January 2005.
Helfand, Glen, “This is Hardcore”, THE SAN FRANCISCO GUARDIAN, 1 February 2005.
Greenfield-Sanders, Timothy, “Irving Penn, Noel Coward”, ARTNEWS, February 2005
Edelson, Sharon, “Fashion Scoops”, WWD, 11 February 2005.
Haus, Mary, “Struck By Lightning”, ART NEWS, February 2005, pp. 112-119
Staff, “Lights, Camera, Fashion”, PEOPLE MAGAZINE, 28 February 2005, pp120-121.
Ellsworth, Chris, “Hotel Rivington”, INDEX MAGAZINE, 1 March 2005, p. 106.
Eodice, Lynne, “The Elegant Portraiture of Timothy Greenfield-Sanders, PETERSON’S PHOTOGRAPHIC, March 2005, (illus: “Toni Morrison”, P.46, C., “Christy Turlington”, P.46, C., “Conan O’Brien”, P.46, C., “Lou Reed”, P.47, C., “Ben Stiller”, P.47, C., “Alec Baldwin”, P.48, C., “Hillary Rodham Clinton”, P.48, C., “Andy Warhol”, P.49, C., “Ethan Hawke”, P.49, C.) pp. 46-49.
Valdez, Sarah, “Body Double”, ART IN AMERICA, April 2005, pp 89-91.
Rush, George & Molloy, Joanna, “Side Dish”, THE DAILY NEWS, 8 April 2005.
Johnson, Richard, “Egghead Pornography”, THE NEW YORK POST, 8 April 2005.
Elbies, Jeffrey, “Behind the XXX Door”, AMERICAN PHOTO, 12 April 2005, (illus: “Gina Lynn” (nude), P.58, C. “Sean Michaels” (nude), P.59, C., “Christy Canyon” (nude). P.60, C.) pp. 57-62.
Perring, Christian, “XXX”, METAPSYCHOLOGY, 21 April 2005,
Christy, George, “Big Business” THE NOB HILL GAZETTE, 1 May 2005.
Lanham, Robert, “Wearing Nothing but Attitude”, THE NEW YORK TIMES, 1 May 2005, p. ST15.
Mac Millan, Kyle, “5 Visions of the World”, DENVER POST, 11 June 2005.
Sciaccaluga, Maurizio, “XXX Files”, ARTE, 1 May 2005, (illus. “Jenna Jameson (Clothed)” P.138,C., “Jenna Jameson (Nude)” P.139,C., “May Ling su (Clothed,Nude)”P.140,C., “Sean Michaels (Clothed,Nude)” P.140,C, “Sunrise Adams (Clothed,Nude)” P.140,C., “Jesse James (Clothed,Nude)” P.141,C., “Heather Hunter (Clothed,Nude)” P.142,C., “Jordan and Hawke (Clothed,Nude)” P.142,C., “Michael Lucas (Clothed,Nude)” P.143,C., “Tawny Roberts (Clothed,Nude)” P.143,C.) pp. 138-143.
Elbies, Jeff, “100 Most Important People in Photography”, AMERICAN PHOTO, 1 June 2005, p. 73.
Davis, Lisa Selin, “The Straight Shot”, OLYMPUS MAGAZINE, 3 June 2005, (illus: “Hugh Jackmen”, C., “Paris Hilton”, C.”).
Parlavecchio, Ida, “Bush? Per Me e Come Una Pornstar”, EXIBART.ONPAPER, 1 September 2005, (illus: “Jenna Jameson (Clothed,Nude)” P.25,C.) p.25.
Staff, “Timothy Greenfield-Sanders di (a cura) Demetrio Paparoni”, CULTFRAME, 22 September 2005, (illus: “Howard Hodgkin”, C., “Christy Turlington”, C., “Liz Tilberis”, C.).
Levin, Sydney, “Porno…at its Artistically Finest”, THE DAILY FREE PRESS, 29 September 2005.
Bombino, Silvia, “Impara L’Arte di Non Arrossire”, VANITY FAIR ITALY, 29 September 2005, P. 194.
Mutti, Roberto, “Pornostar Viste Molto da Vicino”, LA REPUBLICA, 29 September 2005, p. 14.
Tomaselli, Edoardo, “Pornostar Doubble Face: Sexy, Nude, Anzi Vestite”, IL GIORNO, 29 September 2005, p 12.
Proietti, Michela, “Vestida o Desunda, la Pornostar ha un’Anima”, CORRIERE DELLA SERA, 29 September 2005, p. 19.
Cerretelli, Mariateresa, “Blow Up”, CLASS, 1 October 2005, (illus: “Nicole Kidman” P.277,C., “Steven Spielberg” P.278,C., “John Malcovich” P.279,C., “Bill Murray” P.280,C., “Daniel Libeskind” P.281,C., “Richard Meier” P.282,C., “Lou Reed” P.283,C., “Zaha Hadid” P.284,C., “Sarah Ferguson” P.285,C., “Vanessa Redgrave” P.286,C., “Timothy Greenfield-Sanders” P.287,C.) pp. 277-287.
Vecchiato, David, “Da Bush al Pornoclic”, LA REPUBLICA, 1 October 2005, p 122.
Staff, “Camera Ready”, PEOPLE MAGAZINE, 3 October 2005, (illus: “Eva Longoria” P.116,C., “Arquette and Cox” P.116,C., “Clay Aiken” P.117,C., “Dawson and Lewis” P.117,C., “Nicole Richie” P.117,C., “Jesse Metcalfe” P.117,C., “Katherine Heigl” P.118,C., “James Blake” P.118,C., “Catherine Zeta-Jones” P.118,C., “Mary J.Blige” P.118,C., “Carmen Electra” P.118,C.) pp. 116-118.
Tripodi, Rita, “Il Porno e Nudo”, L’ESPRESSO, 6 October 2005, (illus: “B.B.King”, “Tawny Roberts (Clothed,Nude)”, “Karen Finley”, “Timothy Greenfield-Sanders”, P.147,C.) p 147.
Alpegiani, Alessandra, “Occhio Discreto” FOTOGRAPHIA, 1 November 2005, (illus: “Nicole Kidman” P.42,C., “Vanessa Redgrave” P.42,C., “Richard Meier” P.43,C., “Bill Murray” P.44,C., “Keith Haring”P.45,C., “Daniel Libeskind” P.45,C., “Lou Reed” P.45,C., “Toni Morrison” P.46,C., “John Malkovich” P.46,C., “Gore Vidal” P.46,C.) pp. 42-46.
Cernek, Susan, “Heart to Art”, ELLE, 1 December 2005, (illus: “Parker Posey”,C.)
Sjostrom, Jan, “Safeguard or censorship? Art fair photos draw sheild”, PALM BEACH DAILY NEWS, 17 January 2006, p.1.
Staff, “Tents Moments”, PEOPLE, 27 February 2006, (illus: “Lee Ann Rimes” P.8, C., “Paula Abdul” P.138,C., “Lauren Conrad and Jason Wahler” P.138,C., “Debra Messing” P.138,C., “Lindsay Lohan” P.139,C., “Angie Harmon” P.139,C., “Joel Madden and Hilary Duff” P.139,C., “Ashanti” P.139,C.) pp. 8, 138-139.
Staff, “Blues Explosion”, PENTHOUSE, June 2006, pp. 12-13. (illus: “Blues Musicians”, pp. 12-13, C).
Staff, “Reading Room: Here’s Looking at Them”, O MAGAZINE, June 2006, p. 185. (illus: “Vanessa Redgrave”, p. 185, C. “Danny Glover”, p. 185, C. “Bill Murray”, p. 185, C. “Christy Turlington”, p. 185, C).
Staff, “Photo Book: Face to Face”, PEOPLE MAGAZINE, 12 June 2006, p. 52.(illus: “Spike Lee”, p. 52, C. “Claire Danes”, p. 52, C. “Hugh Jackman”, p. 52, C).
Sessa, Andrew, “Faces of a Nation”, TOWN AND COUNTRY, 1 July 2006, p.64.
Staff, “The Front Row in a Flash”, NEW YORK MAGAZINE, 28 August 2006, (illus: “Lindsay Lohan”, “Lou Reed”, “Rufus Wainwright”, “Carine Roitfeld” P 60; “Diddy”, “Alan Cumming”, “Carolina Herrera”, “Simon Doonan”, “Anna Wintour” P 62) p. 62.
Gray, Lisa, “Portrait of a Lady, With Dogs”, HOUSTON CHRONICLE, 24 August 2006, pp16-17.
Snider, Joshua, “Quanto costa un clic per la Storia”, CAPITAL, 1 September 2006, (illus: “Nicole Kidman” P.176,C., “Jenna Jameson (clothed,nude)” P.176,C., “Christy Turnlington” P.177,C., “Lou Reed” P.177,C., “Bill Murray” P.177,C., “John Malkovich” P.177,C.) pp 176-177.
Staff, “Strike a Pose”, GOTHAM, 1 September 2006, (illus: “Klum and Kors”, “Simon Doonan”, “Look Cover”, “Andre Leon Talley” P. 288, C.) p.288.
Yabroff, Jennie, “Parting Shots”, SAN FRANCISCO CHRONICLE, 10 September 2006, P.d1, d5.
Hinke, Christina, “Snaps: Inside Look”, PICTURE, Sept/Oct 2006, (illus: “Michael Kors”, “Rosario Dawson” from Look book) p. 14.
Hinke, Christina M., “Inside Look”, PICTURE MAGAZINE, 1 September 2006.
Staff, “Photo Play”, PEOPLE MAGAZINE, 2 October 2006, pp 144-145.
Spence, Rebecca, “Big Shots”, ART NEWS, October 2006, p. 44. (illus: “Karen Finley”, p. 44, C).
Kuhn, Thomas W., “Reviews International”, ARTNEWS, 1 November 2006, p 202.
Sawalich, William, “The Portrait’s the Thing”, DIGITAL PHOTO PRO, 1 November 2006, pp.86-96.
Sherwell, Philip, “Ready for Your Close Up, Ms. Wintour?”, THE LONDON SUNDAY TELEGRAPH, 12 November 2006, pp. 56-60.
Stadeus, Geert, “Timothy Greenfield-Sanders de fiere waardigheid van pornosterren”, SNOECKS, 2006, 20 pages of illustrations.
Nachman, Barbara Livingston, “Putnam Valley Man Photographs Celebrities, ordinary folk for Red Cross”, THE JOURNAL NEWS, 28 April 2007.
Ullberg, Sara, “Kontroversiella Bilder Visas Forst i Sverige”, DAGENS NYHETER, 19 September 2007.
Staff, “Rome”, TRAVEL & LEISURE, October 2007.
Nadotti, Christina, “Movie Stars di Greenfield-Sanders in Mostra a Roma 50 Ritratti”, LA REPUBLICA, 19 October 2007.
Applebome, Peter, “Soldiers’ Portraits Make the Costs of War More Visible”, THE NEW YORK TIMES, 27 September 2007, pp B1-B2.
Falkmans, Johan, “Creating Portraits That Transcend Time”, THE PRODIGAL SON MAGAZINE, December 2007,(illus: “Timothy Greenfield-Sanders” P.119,BW., “Lou Reed” P.120,C., “Glenn Close” P.121,C., “James Cromwell” P.122,BW., “James Gandolfini” P.123,C., “Jodie Foster” P.124,C., “Farrah Fawcett” P.125, BW., “Dennis Hopper” P126,BW., “Ethan Hawke” P127,BW., “Nicole Kidman”P128,C.) PP 176-177.
Staff, “Peepshow”, EXIT- IMAGE & CULTURE, Volume 29, Winter 2008, pp 171-172 (illus. “Tera Patrick (Clothed)” P.169,C., “Tera Patrick (Nude)” P.170,C., “Lukas Ridgeston (Clothed)” P.173,C., “Lukas Ridgeston (Nude)” P.174,C, “Jenna Jameson (Clothed)” P.177,C., “Jenna Jameson (Nude)” P.178,C., “Sean Michaels (Clothed)” P.181,C., “Sean Michaels (Nude)” P.182,C.

Additional articles to be updated soon.